We met both love and computer
science in 1970, photography in 1974, painting in 1977 and with the
arrival of the first graphics microcomputers we were able in 1984 to
explore a completely new universe.
Computer science has led our pictural research towards motion and
interactivity. Working with the light flooding out of the screen is
fascinating and takes us into news spaces where the computer, that
has become a partner, offers with its ability or faults unendless
paths to our imagination. Virtual picture lets us live in a limitless
and fragile world, where emotion is continuous.
"Infopeintures" is the name we give to ours creations where traditionals
media (canvas, paper....) and screens driven by computer interpenetrate.
The computerized motions bring then life to some parts of the painting.
The computer enables us to blow up the limits of ours creations and
to meet with the audience in virtual sceneries of the spaces.
At the moment we are working on an interactive presentation of "infopeinture"
and computer assisted scenography that would implement news media:
holograms, flat screens, virtual reality, Network, ....
"Infopeinture": a new poetry for ours screens that are too often
lightened in grey.